Right, only out in Long Island would they have a club called The Barracuda. I actually think now that it was called The Barracuda or something… Obviously, when the film was in production, nobody could have predicted that we’d be in this situation where the conversation would be about certain people being terrified of men in women’s clothing, but there’s a moment in the film where the Dolls played The Shark in Long Island and you looked. There were a lot of analogies in the movie to our current cultural situation. So they’re catching you in a moment that you’re going to transcend. It’s like, next week you’re not going to really have that opinion. And every time I’ve done that, which is rare, I see it eventually and I think, “I’m an idiot.” Because an opinion is just representative of that one day. Will you be in it?” And I just say no, because it’s going to be there forever, right? It’s a movie. Like, I don’t know if I even said it in the film, maybe I didn’t… but a lot of times, people will ask me, “We’re doing a documentary on whatever,” you know, some aspect of rock ‘n’ roll. I think it was just some of the things I say. What makes you cringe? Is it the old stuff or the new stuff? You know, you see yourself in a film and it’s like, “Oh my god.” But I enjoyed it. I didn’t really have that many cringe moments. I don’t say that as a pretentious thing, but I was just enjoying watching the film. I look at it like I’m like a fan, in a way, if you know what I mean. Two hours of your life’s story on a big screen in a room full of people-are you able to detach from that at this point in your career, or is it still a little bit strange and overwhelming?īoth. Last night, it seemed like I hadn’t even seen it before. But I don’t think I took it all in at that point. We saw it at the premiere, which was in October. Had you not seen the final cut before last night? But you know, we just saw the film last night. But what I meant was that’s how some people, if they can, describe camp. I don’t know, I haven’t really considered that. There’s a great line, early on in the film, where you say about rock ’n’ roll, “It’s the lie that tells the truth, because it gets to the point.” That seems to be your ethos, and it seems to be the ethos of this documentary too, isn’t it? So our aim was to recreate the feeling that we had when we left the live show for the first time.”īy that measure, Personality Crisis succeeds, and then some.īelow, Johansen chats with The Daily Beast about his legendary career, the current pearl-clutching cultural climate, and what it’s like to watch yourself on the big screen. “With music films, something’s always lost in the translation. “Working on these films, we have a lot of freedom,” Tedeschi added. We looked at each other when the performance was over and I said, ‘We’ve got to do something with this. David told the story of his life and, of course, we love stories. In speaking about the origin story of the new film, Tedeschi-who is Scorsese’s right-hand man when it comes to his music-centric films, including No Direction Home, Living In The Material World, and Rolling Thunder Revue-told The Daily Beast, “ invited me and Marty, who’s been a fan since the ’70s, to the show, and we were blown away.
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